I’ve been working on a film project with Renfrewshire Leisure concerning the films of Paisley painter and ceramicist Falconer Houston. Richard Weeks, Digital Arts Worker for the Trust, and a filmmaker in his own right, unearthed Falconer’s films quite by accident after a request was sent in from a member of the public for some archive of her husband who had passed away. In a series of unlikely coincidences this led to the discovery of the best film archive that exists for Renfrewshire from the 60’s and 70’s. And, fortunately, Falconer was and is still around to tell us how it came into being. In the process he tells an intriguing tale of the central part that Paisley Museum has played in the cultural life of the town, and the innovative work that was being done in schools in the sixties and seventies that led to some high praise from Basil Wright, director of Night Mail of Greirson fame.
Falconer made some great films and is a really interesting example of a participative practitioner, some 30 years before anyone even thought of such a category of human being. Sadly he has to date only made one film, as he says, “for himself”, the film “Sanctuary”, but it shows a visual style and control not unlike that of his contemporaries Bill Douglas and Terence Davies in both their Trilogies of black and white shorts from the 70’s.
On another note, I’ve also been working with the Scottish Refugee Council and the Holocaust Memorial Trust on a short animation and sound project that will be exhibited in London as part of the Holocaust Memorial Day events in January 2016. It’s been a real revelation working with the group of young men from Eritrea. I had a abstract idea of what people have been through to get to Glasgow…I had no idea of what this might mean for the individuals involved. Hopefully we will pull something together that reflects their experience and works within the theme of “Don’t Stand By”.
This time last year I was looking forward to three broadcast credits…sadly this year it is but a one. But a good one, albeit a small one. My brother Paul has finished his Wee Govan Pipers film for BBC Alba and will be the first film of 2016 to go out on the channel. I shot a little bit for Media Coop on this production over the past 18months or so and was rather pleased to see one of the images I had taken being used for the production’s postcard. The film does a sterling job of telling multiple stories of Piping, Govan, the history of the Glasgow Police. The programme goes out on January 1st.